{"id":649,"date":"2012-07-19T14:06:29","date_gmt":"2012-07-19T14:06:29","guid":{"rendered":"http:\/\/teekhapan.wordpress.com\/?p=649"},"modified":"2012-07-19T14:06:29","modified_gmt":"2012-07-19T14:06:29","slug":"a-hand-me-down-role-in-anand-crowned-khannas-career","status":"publish","type":"post","link":"https:\/\/vivekkaul.com\/2012\/07\/19\/a-hand-me-down-role-in-anand-crowned-khannas-career\/","title":{"rendered":"A hand-me-down role in \u2018Anand\u2019 crowned Khanna\u2019s career"},"content":{"rendered":"

\"\"<\/a>
\nVivek Kaul
\n<\/strong>
\nSo the world has rediscovered Rajesh Khanna or so it seems.
\nAround one pm today I was at Rhythm House, the only decent music shop to survive in Mumbai, after the onslaught of MP3s and what not.
\nAs soon as I entered the shop I heard Kishore Kumar singing \u201czindagi ke safar main guzar jaate hain jo makam wo phir nahi aate<\/em>\u201d. For the half an hour I was at Rhythm House only Rajesh Khanna-Kishore Kumar songs were played.
\nRhythm House has also created a special shelf where all the Rajesh Khanna audio CDs, VCDs and DVDs have been separately put up.
\n\u201cAaj subah sab se kewal Rajesh Khanna hi bick raha hai<\/em>,\u201d a shop attendant told me as I paid for my purchases ( I wasn\u2019t buying Rajesh Khanna by the way. I have all of him that is necessary).
\nWhile returning home the taxi driver told me \u201ckya gaane the sahab Rajesh Khanna ke, subah se Radio waale wahin baja rahe hain<\/em>.\u201d
\nNews channels have been broadcasting songs, trivia, interviews and even a documentary in remembrance of India\u2019s first Superstar.
\nA television channel has advertised on the front pages of a Mumbai daily that it shall be showing Kati Patang<\/em> and Anand<\/em> in the evening today (as you read this Kati Patang<\/em> has probably started and Anand <\/em>plays at 9pm).
\nKati Patang<\/em> is clearly a movie of the late sixties and the early seventies with a rather predictable storyline. But the Rajesh Khanna movie that has stood the test of time is Hrishkesh Mukherjee\u2019s Anand<\/em>. A story of a character called Anand who is dying of cancer but who does not give up his zest for life, even though he knows that he has a very short time to live.
\nMukherjee, who also wrote the story, originally wanted Shashi Kapoor for the film. But Shashi Kapoor had just tasted success with Jab Jab Phool Khile<\/em> and was probably more interested in doing romantic roles rather than a role in which his character died in the end.
\nThen Raj Kapoor, Shashi\u2019s elder brother, and a great buddy of Mukherjee came into the picture. The trouble was that Mukherjee was superstitious about letting Raj Kapoor die on screen. Kapoor and Mukherjee were great friends and Kapoor referred to Mukherjee as babumoshai
\nKishore Kumar was also considered for the role. But the story goes that he had a tiff with Mukherjee. Mukherjee who was a prolific film director wanted Kishore Kumar to act in one of his movies. Mukherjee paid him half the amount agreed on in advance and the remaining half was to be paid after the film was shot. But Kishore Kumar wanted the entire amount in advance. He refused to shoot for the movie. Mukherjee took him to court and won the case. The court directed Kishore Kumar to complete the movie and thereafter Mukherjee would pay him the remaining half.
\nBeing the cranky genius that he was Kishore Kumar landed up on the sets with his head and moustache half shaved and apparently told Mukheree that \u201cAadhe paise mein aadha Kishore hi milega!<\/em>\u201d
\nAfter this Rajesh Khanna got the role of Anand. In fact, it is said that Mukherjee also considered Bengali matinee idols Uttam Kumar and Soumitra Chatterjee for the roles of Anand and Dr Bhaskar Banerjee.
\nThe role of Dr Bhaskar Banerjee eventually went to Amitabh Bachchan. As IMDB points out \u201cMehmood advised Amitabh Bachchan to grab a secondary role alongside the then heartthrob Rajesh Khanna in the film, saying, “All you need to do is feed off Khanna, the rest will take care of itself.\u201d\u201d
\nBachchan had just landed in Mumbai a few years back giving up his comfortable job (what we now call a boxwallah) with Byrd & Co, in Calcutta, as it was then called. He was great friends with Mehmood\u2019s younger brother Anwar Ali.
\nEvery \u201cbig actor\u201d does one role during his character that people remember him for. Marlon Brando had \u201cThe Godfather<\/em>\u201d. In case of Robert de Niro it was \u201cRaging Bull<\/em>\u201d. For Amitabh Bachchan it was \u201cDeewar<\/em>\u201d. And for Shah Rukh Khan it was \u201cDilwale Dulhainya Le Jayenge<\/em> (DDLJ)\u201d.
\nAnand was Rajesh Khanna\u2019s Deewar<\/em>. His Godfather<\/em>. His Raging Bull<\/em>. And his DDLJ<\/em>. He reached his peak with Anand and his acting only went downhill after that. Khanna played out Anand\u2019s part brilliantly but the role as explained came to him by sheer chance. Success is about things that happen. It is also about things that do not happen.
\nWhat is ironic though that Khanna who was a romantic hero did not have a heroine in the movie. This was a huge risk. But the fantastic script, songs, dialogues and music pulled it through.
\nHrishikesh Mukheree did not make a better movie than this. It was also Salil Chouwdhury\u2019s peak as a music director. And Gulzar\u2019s dialogues in the movie are still doing the rounds and even helping news channels like Aaj Tak make a living. Sample this:
\nZindagi aur maut upar wale ke haath main hain jahapanah,
\nuse na aap badal sakte hain na main,
\nHum sab toh rang-manch kee katputliya hain,
\njinki dor uparwale ki ungliyon mein bandhi hain
\nKab kaun kaise uthega, koi nahi bata sakta
\nha ha ha\u2026<\/em>
\nThe news channel Aaj Tak started playing this scene from Anand even before Rajesh Khanna\u2019s death was announced. Such was the power of these lines. Anand\u2019s dialogues are probably the most powerful dialogues in Hindi cinema after Sholay and Mughal-e-Azam.
\nWhat also stood out in the movie were two songs written by a new lyric writer called Yogesh. Yogesh started out writing songs for movies like Flying Circus<\/em>, Marvel Men<\/em>, Rustom Kaun<\/em> and Husn Ka Ghulam<\/em>, what were known as stunt movies back then. Hrishikesh Mukherjee heard the lyrics of two songs that Yogesh had written and loved them. But the rights for those song were already with a producer called LB Lachman.
\nAs Yogesh told DNA in an interview few years back \u201cLachmanji was adamant about keeping the songs, but Rajesh Khanna, Amitabh Bachchan and Mukherjee pleaded with him. Bachchan, who was a young man then, would say to me, \u2018Kavi Raaj, yeh do gaane humein dila di jiye<\/em> (Please get us these two songs somehow).\u2019 Finally, Lachmanji relented and gave them one of the songs.\u201d
\nThis song was kahin door jab din dhal jaaye<\/em>. Mukherjee was so happy with Yogesh that he asked him to write another song and Yogesh came up with the even better zindagi kaisi yeh paheli hi<\/em>. These two songs turned what was a brilliant movie into an extraordinary one.
\nThe other standout performance in the movie was that of Johnny Walker playing Issabhai Suratwala who Anand keeps calling Muralilal. Suratwala on the other hand keeps calling Anand as Jaichand.
\nAnand is a movie which has a tragic undertone throughout. But even with that the movie is not a tragedy. It makes you laugh at different points of time, only to make you cry in the end when Anand dies. The last scene of Anand which news channels have been playing nonstop since yesterday is probably the most powerful last scene ever shot in Hindi cinema. I can\u2019t think of anything else that comes a close second.
\nAll these ingredients went into making what has truly become Rajesh Khanna\u2019s crossover movie. A movie that has stood the test of time. And can still be watched. That also explains why it is played on television almost every week.
\nThe timelessness of Anand also tells us is that good cinema isn\u2019t about shooting in Switzerland or having item numbers. It\u2019s all about a story which is well told and the different ingredients coming together just in the right way. Rajesh Khanna was brilliant in Anand. But so were Hrishikesh Mukherjee, Salil Chowhdury, Gulzar, Yogesh and Johnny Walker. And yes Amitabh Bachchan.
\nKhanna may have given bigger hits like Aradhana <\/em>and Haathi Mera Saathi<\/em>. But can you really sit and watch these movies now?
\nAnand was his truly standout performance. His swansong. His tour de force<\/em>.
\n If there is one Rajesh Khanna movie that you should be watching it has to be Anand<\/em>.
\nAnd that\u2019s what I plan to do when the clock strikes nine pm today, for one last time. What about you?
\n(The article originally appeared on www.firstpost.com on July 19,2012. http:\/\/www.firstpost.com\/bollywood\/a-hand-me-down-role-in-anand-crowned-khannas-career-383511.html<\/a>)
\n(Vivek Kaul is a writer and can be reached at vivek.kaul@gmail.com)
\n<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

Vivek Kaul So the world has rediscovered Rajesh Khanna or so it seems. Around one pm today I was at Rhythm House, the only decent music shop to survive in Mumbai, after the onslaught of MP3s and what not. As soon as I entered the shop I heard Kishore Kumar singing \u201czindagi ke safar main … <\/p>\n

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